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Thread: La Traccia del Giorno (Elettronica&Affini)

  1. #61
    Spammer di mediocre esperienza Matt's Avatar
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    Default Riferimento: La Traccia del Giorno (Elettronica&Affini)




    Title • Puppets
    Author • Depeche Mode

    Album • Speak & Spell
    Released • 1981
    Genre • Rock
    Style • Synth Pop

    http://www.youtube.com/watch?v=YcaUmz43luc



    Get the feeling, head is reeling
    You think you're in control but you don't know me babe
    I can move you, I can soothe you
    I can take you places in a different way

    And I don't think you understand
    What I'm trying to say
    I'll be your operator baby
    I'm in control

    Watch your action, close reaction
    And everything you're thinking babe inside your head
    Conversation, my creation
    Nothing that you do you do unless I said

    And you don't know the consequences
    Of the things you say
    I'll be your operator baby
    I'm in control

    All the things you tried to do babe
    And all the words we've said before
    Are only part of what I started baby
    And you can't stop me anymore

    Get the feeling, head is reeling
    You think you're in control but you don't know me babe
    I can move you, I can soothe you
    I can take you places in a different way

    And I don't think you understand
    What I'm trying to say
    I'll be your operator baby
    I'm in control

    Brano tratto dall'album di debutto dei Depeche Mode, Speak & Spell, reso celebre anche dal singolo "Just Can't Get Enough".

    Lo stile (chi ha detto Playback desicanto rivolgendosi al video? ) è quello inconfondibile dei primi anni '80, influenza Kraftwerkiana e Drum Machine come se piovesse... un motivo valido per amarlo

    Mazzanigga S such Skill niubs

  2. #62
    Spammer di mediocre esperienza Matt's Avatar
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    Default Riferimento: La Traccia del Giorno (Elettronica&Affini)




    Title • Someone Great
    Author • LCD Soundsystem

    Album • Sound Of Silver
    Released • 2007
    Genre • Electronic
    Style • Electro

    http://www.youtube.com/watch?v=0iW5U4i-Z74
    http://www.youtube.com/watch?v=kaYsczkWti0


    I wish that we could talk about it,
    But there, that's the problem.
    With someone new I couldn't start it,
    Too late, for beginnings.
    The little things that made me nervous,
    Are gone, in a moment.
    I miss the way we used to argue,
    Locked, in your basement.

    I wake up and the phone is ringing,
    Surprised, as it's early.
    And that should be the perfect warning,
    That something's, a problem.
    To tell the truth I saw it coming,
    The way, you were breathing.
    But nothing can prepare you for it,
    The voice, on the other, end.

    The worst is all the lovely weather,
    I'm stunned, it's not raining.
    The coffee isn't even bitter,
    Because, what's the difference?
    There's all the work that needs to be done,
    It's late, for revision.
    There's all the time and all the planning,
    And songs, to be finished.

    And it keeps coming,
    And it keeps coming,
    And it keeps coming,
    Till the day it stops
    (Repeat x3)
    And it keeps coming,
    (Repeat x7)
    Till the day it stops.

    I wish that we could talk about it,
    But there, that's the problem.
    With someone new I could have started,
    Too late, for beginnings.
    You're smaller than my wife imagined,
    Surprised, you were human.
    There shouldn't be this ring of silence,
    But what, are the options?

    When someone great is gone.
    (Repeat x8)

    We're safe, for the moment.
    Saved,
    For the moment.

    Bellissimo singolo tratto dall'ultimo Album del progetto britannico LCD Soundsystem, Sound of Silver.

    La canzone non è altro che una parte del brano 45:33, di ben 45 minuti di durata, commissionato dalla Nike per un interessante progetto di musica per il movimento, riadattato con una parte vocale, a mio parere perfettamente efficace per il tipo di musica, a primo ascolto, difficile da classificare (ElectroXiloMusic? ).

    Peccato che l'intero album, dall'idea veloce che mi son fatto, non è all'altezza di "Someone Great", molto sottotono e poco incisivo, solo... la Cover è degna qualitativamente, è geniale l'utilizzo dell'Avant Garde Alternate (Ne approfitto per chiedere a tutti, nel caso qualcuno se la ritrovasse nel proprio PC, di informarmi in tutti i modi possibili )

    Un ultimo appunto, il primo video è amatoriale, ma il brano è identico a quello dell'Album, mentre il secondo è il video ufficiale, ma con la canzone riadattata velocizzandola. Preferisco di gran lunga la prima versione, che non perde quel suo battito lento dei Synth, che mi fa impazzire

    Mazzanigga S such Skill niubs

  3. #63

    Default Riferimento: La Traccia del Giorno (Elettronica&Affini)

    Elettroclash? un pò meno acida..io uppo la seconda!!

  4. #64
    The Dark Side Of MySelf Infe's Avatar
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    Default Riferimento: La Traccia del Giorno (Elettronica&Affini)

    http://it.wikipedia.org/wiki/Justice


    qualcuno vuole dire qualcosa o tocca farlo a me ? :P

  5. #65

    Default Riferimento: La Traccia del Giorno (Elettronica&Affini)

    http://www.myspace.com/etjusticepourtous

    Sul lettore cliccar su "ZZT Justice remix" per CREDERE!!!!

  6. #66
    Spammer di mediocre esperienza Matt's Avatar
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    Default Riferimento: La Traccia del Giorno (Elettronica&Affini)




    Title • The Voice
    Author • Ultravox

    Album • Rage in Eden
    Released • 1981
    Genre • Electronic
    Style • Synth Pop

    http://www.youtube.com/watch?v=aTJAdMtst8I



    Native these words seem to me
    All speech directed to me
    I've heard them once before
    I know that feeling

    Stranger emotions in mynd
    Changing the contours I find
    I've seen them once before
    Someone cries to me

    CHORUS :
    Oh, the look and the sound of
    The Voice
    They try, they try
    Oh, the shape and the power of
    The Voice
    In strong low tones

    Forceful and twisting again
    Wasting the perfect remains
    I've felt it once before
    Slipping over me

    CHORUS

    Sweetly the voices decay
    Draw on the lines that they say
    I'd lost it once before
    Now it cries to me

    CHORUS

    Oh, the look and the power of
    The Voice
    They try, they try
    Oh, the shape and the sound of
    The Voice
    In strong low tones
    Oh, the shape and the power of
    The Voice
    In strong low


    Rage In Eden, ultimo album prodotto da Conny Plank, può vantare un solo hit, l'inno dai risvolti orwelliani di "The Voice", ma conferma gli Ultravox all'avanguardia del movimento elettro-rock dell'epoca [...]
    La critica del tempo è troppo impegnata a osannare Springsteen, Prince e compagnia, per accorgersi che gli Ultravox non sono solo l'ennesimo gruppo di synth-pop (come vengono superficialmente considerati), ma una band d'avanguardia, che maschera dietro qualche hit più commerciale ambiziosi intenti sperimentali. (.cit)


    La scelta della Cover è dettata soltanto dalla gusto personale basato soltanto sull'estetica, quella postata infatti è la copertina usata nella re-edizione di Rage in Eden del '97, e non la l'originale a cura della Peter Saville Associates.
    Mazzanigga S such Skill niubs

  7. #67
    Vero spammer Gizeta's Avatar
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    Default Riferimento: La Traccia del Giorno (Elettronica&Affini)


  8. #68
    The Dark Side Of MySelf Infe's Avatar
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    Default Riferimento: La Traccia del Giorno (Elettronica&Affini)

    sono dei fighi

  9. #69
    Spammer di mediocre esperienza Matt's Avatar
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    Default Riferimento: La Traccia del Giorno (Elettronica&Affini)

    Mi masturbo duramente vedendo i Daft Punk in concerto.
    Mazzanigga S such Skill niubs

  10. #70
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    Default Riferimento: La Traccia del Giorno (Elettronica&Affini)




    Title • Catch You
    Author • Sophie Ellis-Bextor

    Album • Trip The Light Fantastic
    Released • 2007
    Genre • Electronic
    Style • Synth Pop

    http://www.youtube.com/watch?v=tfUBdgQtjn4



    The morning paper
    Look in the mirror
    On your key chain
    Or in the coffee spoon

    On your shirt sleeve
    In the flat-screen
    In your mailbox
    I'm Breathing over you

    Come on baby, when will you see
    That you and I were meant to be
    And now I got my target on track
    Baby you should know that I'm so good at that

    Run to where you want, run to where you want
    I am gonna find you
    There aint no distance far enough
    My love's gonna find you
    Run to where you want, run to where you want
    But may I remind you
    There aint no engine fast enough
    My love's gonna catch you

    In your top drawer
    In your cheque book
    On your cellphone
    By your easy-chair
    In the next room
    Behind the curtain
    Can't escape me
    I'm watching everywhere

    Come on baby, when will you see

    'Cause you and I were meant to be
    And now I got my target on track
    Baby you should know that I'm so good at that

    Run to where you want
    Run to where you want
    I am gonna find you
    There ain't no distance far enough
    My love's gonna find you

    Run to where you want, run to where you want
    but may I remind you
    There aint no engine fast enough
    My love's gonna catch you

    Why waste your energy
    No point in fighting
    Let your heart surrender to your destiny

    And this world's not big enough
    For you to hide for long
    In this game of hide and seek
    There's nowhere left to run

    Run to where you want, run to where you want
    I am gonna find you
    There ain't no distance far enough
    My love's gonna find you
    Run to where you want, run to where you want
    but may I remind you
    There ain't no engine fast enough
    My love's gonna catch you

    Catch You, Catch You, Catch You, catch you, catch you, catch you, catch you, catch you!


    Alcune considerazioni, obbligatorie, prima dell'analisi prettamente musicale...

    ...Sophie è una gran figa, anzi: definirla figa sarebbe una bestemmia, perché la sua bellezza non è calcolabile con i soliti canoni comuni, Lei sta un gradino sopra, dove solo pochissime donne possono arrivare... l'eleganza, il corpo, gli sguardi, la voce; la natura gli ha dato tutto quello che si potesse avere, e dobbiamo essere onorati che ci venga data la possibilità di osservarla.

    Tralasciando i dovuti onori, la ragazza, come ho già detto, non è solo immagine, ma anche voce, bellissima, calda, che si addice perfettamente alla freddezza dei Synth e al ritmo continuo della batteria, è da considerarsi la degna erede di Debbie Harry dei Blondie


    Mazzanigga S such Skill niubs

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